Memphis

HYATT

Design by Ettore Sottsass, 1984

Side table covered with wood veneer or painted in black, chromed metal elements and burnished brass.

€2.790,00

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HYATT Briar
€2.790,00
Description
HYATT

In 1984, Ettore Sottsass designed two versions of Hyatt: one covered in wood veneer, destined for the Memphis catalogue; and one with a painted finish in refined glossy black for the base and top. Originally, this project had a very particular destination: his house in Milan. Today, Memphis rescues and reinterprets this version, adding it to its catalogue.

Hyatt is eclectic, bold, but also functional. “Memphis does not reject the functional utopia, but looks at function from a new, very open perspective, more like an anthropologist than like a marketing man. Functionality, then, not only in compliance with ergonomic forms and potential sales statistics, but also in relation to a vision of public necessity, a historical thrust,” Barbara Radice wrote in 1981.

Materials
Decorative laminate
Designer
Ettore Sottsass

Ettore Sottsass was an Italian architect and designer. His work was devoted to the creation of furniture, jewellery, glass, lamps, objects for the home and office, as well as the design of many buildings and interiors. Raised in Turin, he graduated in Architecture at the Turin Polytechnic in 1939. In 1947 he founded his own architecture and industrial design studio in Milan, where he worked with various media. In 1956, Sottsass moved to New York where he began working in the studio of the designer George Nelson. His return to Italy was marked by the beginning of an important association with Poltronova (1957) and Olivetti (1958).

The relationship with Olivetti lasted over thirty years, and among the most iconic products he designed we would mention the first Italian electronic calculator, Elea 9003 (1959) and many typewriters, including the renowned Valentine. From the end of the 60s to the 70s he collaborated with Superstudio, Archizoom Associati and Alchymia, within the Architettura Radicale movement. Together with the Alchymia group, at the Design Forum in Linz (1979) he exhibited the Seggiolina da pranzo (the dining chair in chromed iron and Abet Print laminate), the Svicolo standard lamp (which produces lights in pop colours, by virtue of pink and black neon) and the coffee table Le strutture tremano (the structures tremble): objects characterized by contrasting colours and materials. These experiences were to lead to the founding of Memphis in 1981, which he headed. In the mid-1980s, with the Sottsass Associati architecture studio, he also designed elaborate shops and showrooms, corporate identities, exhibitions, interiors, consumer electronics and furniture of all kinds.

Ettore Sottsass won numerous international awards and was the winner of four ADI Compassi d'Oro. His works are exhibited in the permanent collections of many museums around the world, such as the Metropolitan Museum of Art in New York, the Georges Pompidou Centre in Paris and the Victoria & Albert Museum in London.

Technical specifications
Dimensions

Ø 43, H 42 cm; 23 Kg