TARTAR
TARTAR
TARTAR
TARTAR
TARTAR
TARTAR
TARTAR
TARTAR
Memphis

TARTAR

Design by Ettore Sottsass, 1985

Lacquered console in wood, covered with decorative laminate and wood veneer.

€17.870,00

This product exceeds the limit of weight for automatic shipping cost calculation,

TARTAR
€17.870,00
Description
TARTAR

Tartar has a massive, “primordial” presence. The playful attitude typical of the early Memphis years becomes more austere. In the absurdity of a world in which the equivalent of 60 tons of dynamite exists for every human being… the furniture is no longer optimistic, Barbara Radice writes.

Tartar, the console created by Ettore Sottsass in 1985, embodies the great designer’s distinctive style: his focus on assemblages of geometric forms, wild juxtaposed patterns, and an exhilarating mixture of luxurious and decorative materials. 

Considered one of the last objects designed by Ettore Sottsass for Memphis, the Tartar console is included in the historical collections of Castello Sforzesco in Milan and the Metropolitan Museum of New York.

Materials
Decorative laminate
Designer
Ettore Sottsass

Ettore Sottsass was an Italian architect and designer. His work was devoted to the creation of furniture, jewellery, glass, lamps, objects for the home and office, as well as the design of many buildings and interiors. Raised in Turin, he graduated in Architecture at the Turin Polytechnic in 1939. In 1947 he founded his own architecture and industrial design studio in Milan, where he worked with various media. In 1956, Sottsass moved to New York where he began working in the studio of the designer George Nelson. His return to Italy was marked by the beginning of an important association with Poltronova (1957) and Olivetti (1958).

The relationship with Olivetti lasted over thirty years, and among the most iconic products he designed we would mention the first Italian electronic calculator, Elea 9003 (1959) and many typewriters, including the renowned Valentine. From the end of the 60s to the 70s he collaborated with Superstudio, Archizoom Associati and Alchymia, within the Architettura Radicale movement. Together with the Alchymia group, at the Design Forum in Linz (1979) he exhibited the Seggiolina da pranzo (the dining chair in chromed iron and Abet Print laminate), the Svicolo standard lamp (which produces lights in pop colours, by virtue of pink and black neon) and the coffee table Le strutture tremano (the structures tremble): objects characterized by contrasting colours and materials. These experiences were to lead to the founding of Memphis in 1981, which he headed. In the mid-1980s, with the Sottsass Associati architecture studio, he also designed elaborate shops and showrooms, corporate identities, exhibitions, interiors, consumer electronics and furniture of all kinds.

Ettore Sottsass won numerous international awards and was the winner of four ADI Compassi d'Oro. His works are exhibited in the permanent collections of many museums around the world, such as the Metropolitan Museum of Art in New York, the Georges Pompidou Centre in Paris and the Victoria & Albert Museum in London.

Technical specifications
Dimensions

W 195, D 85, H 78 cm; 155 Kg